20 Eylül 2012 Perşembe

Documenting an Artist's Work

Recently, I had the great pleasure and honor of interviewing a living artist, Karen Guancione. The purpose of my time with Karen was to document her work currently on display at Rutgers University's Alexander Library and ask her about her experience as an artist. Earlier on this blog, I featured Michael Joseph, the curator of the exhibit (and Rare Books Librarian) talking about Karen's work. However, having the artist herself describe in detail the nature of her works in the context of her life opens up an entirely different window into the art on display.

I'd like to share with you these enlightening, revelatory, and amusing videos I recorded last month. The playlist is available on YouTube at the following link: http://www.youtube.com/playlist?list=PLB889D867E48C3884&feature=plcp. Photos of the individual works will be forthcoming.

Tour of Westchester County Archives and Record Center



Introduction
Tucked into the pretty little Village of Elmsford, N.Y., not far from the Hudson River and historic Sleepy Hollow, is the very large records building that houses the Westchester County Archives and Records Center. Shown above is the sizable reading room that the Archives shares with the Westchester County Historical Society. The archives holds the official history of the county dating back to the beginning of its recordkeeping in 1683. The collections include photographs, maps and atlases, architectural drawings, naturalization records, court book minutes, marriage records, supreme court records, land records, licenses and permits, voter enrollments, incorporations, World War I military naturalization petitions, state census records, the Department of Public Works’ records, some of Rye Playland’s early records, and much more.

The Archives’ Reading Room Manager is the very knowledgeable and easy-going Jackie Graziano. We met while attending the remarkable “Exploring Maps: History, Fabrication and Preservation” conference at the Center for Conservation of Art and Historic Artifacts in Philadelphia last November, and became fast friends. Recently, Jackie treated me to a tour of the archives and showed me some of its most valued and most used items. I was impressed by the depth of the collections and by the quality of recordkeeping at the site.

Note: Due to state law, I was unable to photograph the interior of the vaults. However, Jackie kindly pulled select items from the collections for me to photograph and share with you.

About the Archivist

Jackie is shown above holding The Guide to Genealogical Research for Westchester County, New York, (2003) compiled by Marjorie C.H. Renino, previously the Director of the Archive’s volunteers. It contains information on local cemeteries, churches, and town clerks, among other useful facts. She referred to it twice during my visit to answer questions I raised, so it was easy to see why she called it the “Bible” of the Reading Room.

For nearly five years, Jackie has been working at the Westchester County Archives, answering all the incoming research questions. She also scans fragile records for preservation -- currently the early incorporation records of religious societies and large, historic maps from the Department of Public Works. Most of those maps are concerned with land acquisitions of parklands, and contain valuable information for surveyors. Her favorite collections are the maps and atlases. “Most are beautifully drawn and tell a particular story about a part of the county at a particular point in time, and they provide context and scope to other types of records. When someone comes in to research a family, I usually take them to the 1858 map of the county on the wall in the Reading Room and ask them to show me where the family lived. The location sometimes helps me determine which series of records will be of use to them,” says Jackie.

She also likes the early Parks Department Annual Reports from the 1920s. She says, “They tell a large part of the story of how 20th century Westchester developed, why the county looks the way it does now, why certain populations migrated to certain areas, and why areas developed the way they did.”

When I asked her why she became an archivist, she replied, “I have a passion for the written word (one of the pillars of our culture) and its history, how it shapes and is shaped by the culture. I want to be part of the tradition of the sharing of the written word and its preservation, and I like playing with old books.” It should come as no surprise that Jackie was an English literature/history major in college. She received her MLS from Queens College, with a certificate in Archives and Records Management. She recommends the Queens program highly, and suggests that folks interested in the field should volunteer and learn from established archivists. Previously, she served as a librarian in local libraries in Dobbs Ferry, Peekskill, and Montrose, New York. The part of her job she enjoys the most is learning “something new every day.”

About the Archives
Since 1985, the Westchester County Archives has collected non-active records from county departments, if they are determined to have historical value. Personal papers are not collected, unless they originate with a prominent county employee and pertain to their work for the county. The vaults mainly contain the county’s official archives, however, some space is dedicated to the collections of the Westchester County Historical Society.

While I can’t show you photos from within the vaults on site, I can tell you that the collections are vast. More than 6,000 cubic feet of records, 60,000 photographs, and approximately 75,000 maps are preserved onsite. In my work at Plainfield Public Library, I’ve seen what 14,000 sets of architectural drawings (stored in boxes) look like, but seeing row upon row of archivally tubed and labeled maps along the length of two stories of the Westchester County Archive was impressive, to say the least.

Ten full-time staffers and three archivists care for the records housed on site, and they are supported by 30 volunteers per week. The Archives are used by genealogists, journalists, county employees, local historians, teachers, students, surveyors, and individuals researching their land. Typically, 9-10 visitors come per week. “We [also] have one student with a summer project who is researching relations between the African-American and Irish populations in Westchester in the 19th century,” says Jackie.

Notably, the archives are funded through the county’s IT department budget. The county archives are preserving information, so why shouldn’t they be funded under the Information Technology line? Further, the amount of digitization that takes place at the county is quite large, therefore having IT support at that level is more seamless than you might see elsewhere. But when it comes to complex conservation and preservation efforts, the Westchester County Archives sends their materials up to the Northeast Document Conservation Center in Andover, Mass.

About the Collections
The most popular collections in the Westchester County Archives are the naturalizations, marriages, and surrogates (wills and estate files). Jackie says, “People get very excited over the naturalization records, because they link generations, and the records after 1906 provide a good amount of information on the person.” Below is an example of bound naturalization papers from 1865-1885.


Modern naturalization papers include more information and include Declarations of Intention. An example from 1922 is shown below.


Jackie mentioned that marriage records in the county are based locally and issued by the town clerks’ offices. In 1908, the state mandated that counties would receive a copy of marriage records, but not birth and death records. The law was repealed in 1926, but Westchester County kept collecting them until 1935. Because these records also include parents’ names, marriage records are used very frequently in genealogy. Shown below are some of the Archives’ most famous marriage records, Norman Rockwell’s first marriage license (1916) and Lou Gehrig’s marriage license (1933), respectively. Both are kept in a safe location that I am not permitted to reveal here.



Wills, estate inventories, and other land records also are of great importance to genealogists. These documents provide evidence of their ancestors’ lives in a location, and often name other family members. Sometimes, they reveal more about a family, such as slave ownership. One example Jackie showed me was a facsimile of Edward Pell’s estate inventory from 1787. Pell was a descendant of Thomas Pell, for whom Pelham, N.Y. is named. The photo below shows that the inventory includes two young slaves.


Another will in the collection was written by Washington Irving at his Sunnyside estate in 1858. Jackie said that Irving was “the Ben Franklin of his time.” Most people think of Irving only as the folksy author of short stories such as “The Legend of Sleepy Hollow” and “Rip Van Winkle,” however, he was a true cosmopolitan, who served as ambassador to Spain and negotiated trade deals between England and the United States. Irving’s will is shown below.


The oldest records in the collection are within A Booke of Recordes for the County of Westchester, spanning 1683-1688. The Westchester County Clerk’s Office was created in 1683, and the earliest records kept by the office are now within bound volumes (also called “libers”) lettered A to Z, as you can see in the photo below.


Jackie said that she doesn’t pull the book out often because it has been microfilmed and a transcription is available to the public. (This book is an example of records the county keeps in a fireproof safe within the vault.) The fragile leaves have been conserved by the Northeast Document Conservation Center. Most of the records in the books are deeds, but this volume also includes three marriages and a divorce. Additionally, the county has a separate series for wills beginning after the Revolutionary War. Speaking of the War, researchers can find land sale abstracts of property confiscated from loyalists after the war within the Commissioners of Forfeiture. Jackie has scanned the book, and the index to these early records is available digitally on the Archives’ web site. The volume shown below dates from 1783-1785.


The Westchester County Archives also holds the some of the records of the County Poor House, otherwise known as the Alms House. It operated from 1830 to the 1940s. The County has its records up to 1908, and the N.Y. State Archives has them for other counties' Alms Houses. What makes these materials so interesting is that they tell a much more detailed story about an individual down on his/her luck than you might find elsewhere. For example, in the photo below (from the 1875-1880 Alms House book), you can see how long the “inmate” stayed in the Alms House, where his/her parents were born, if they practiced temperance (or not), why he/she was an inmate (destitution or disease), and much more.


In some cases, the stories are quite tragic. Inmates leave, then return multiple times due to alcoholism or mental disorders, or injuries that prevent them from working. If you are interested in seeing some of these, but are unable to visit Westchester County Archives, you can find a selection of records from N.Y. State Archives on Ancestry.com.

There are many, many more records and record types at the Westchester County Archives than the sample I’ve shared with you here. I encourage you to visit the web site (http://archives.westchestergov.com/), explore the collections, and visit Jackie and her colleagues. The Archives is open to the public on Tuesdays and Wednesdays, 9 a.m. to 4 p.m.

Contact Information
Jackie Graziano
Westchester County Archives
2199 Saw Mill River Road
Elmsford, NY 10523
Tel: (914) 231-1500
Fax: (914) 231-1510
http://archives.westchestergov.com/contact-us

Summer Hiatus and Upcoming Posts

I didn't expect to take a month off from posting here, but sometimes life events take precedence over creative endeavors. However, while on a recent trip to the West, I had the opportunity to tour the wonderful Book Arts Program at the University of Utah in Salt Lake City. Earlier in the season, a good friend from the MLIS program at Rutgers, Jen Fitzgerald and I visited Longwood Gardens for the Bruce Munro Light exhibit. I'll be posting about both those trips in the coming weeks.

Until then, I'll be editing my photo backlog, working on another home renovation project (updating all the bathrooms at once), and preparing for some big events at my Chester Library job. One event centers around The Map. It will be returning from a summer at the Center for Conservation of Art and Historic Artifacts in Philadelphia, and it will receive its share of fanfare when it arrives.

Speaking of Chester, I made the local papers. There were a couple of articles on the World War II newsletters I processed and later digitized with the help of the Morris County Library pros. One of the articles is here. If you scroll down a little, there's an image of the newspaper. The story begins on page 2.

Stay tuned for more tours and travelogues.

Interview with the Artist, Karen Guancione -- "In Stitches"

From Karen Guancione Art

Bolsas de Mandado © Karen Guancione, Mixed media installation, machine sewn plastic bags, grommets, size: 900 square feet, photo © Bruce Riccitelli. All rights reserved.

Introduction
It's difficult to be objective when I'm such a big fan of Karen Guancione and her art works. However, I made an effort during our second interview when we visited her "In Stitches" exhibition at the Long Beach Island Foundation for the Arts and Sciences, that ran from May 10 through June 18, 2012.

The large-scale installation is a different format than that of "A Portable Constant Obsession." The interview is different as well. Karen not only speaks about her work, but also of her relationship with her mother, a woman who has had a profound influence on her life and art.

Prior to the interview, I photographed the exhibit from a variety of different angles and heights. It's difficult to convey the size of her Bolsas de Mandado (the hanging panels of sewn plastic bags), but this opening video shows the exhibit from the vestibule of the building. As Karen walks diagonally through the installation, she helps to show the scale of the work.



The Nature of the Bolsas de Mandado

In the next video, Karen talks with me about how she fashions the panels and works within a space to mount an installation. Following the video is a close-up of a panel's grommets.




From Karen Guancione Art

Bolsas de Mandado © Karen Guancione, Mixed media installation, machine sewn plastic bags, grommets, size: 900 square feet, photo © Debra Schiff.

The name Bolsas de Mandado originates from the Mexican shopping bags used to carry groceries, small items, laundry, and so forth. Below, Karen tells me about the bags and what it was like to sew them into the panels. The video is followed by a photograph of the panel she uses to explain the name.



From Karen Guancione Art

Bolsas de Mandado © Karen Guancione, Mixed media installation, machine sewn plastic bags, grommets, size: 900 square feet, photo © Debra Schiff.

Karen's Favorite Panels and Bags
In the next series of videos, Karen and I talk about the panels that have special meaning for her. I'm especially interested in her stories of the people who have donated bags from all over the world, even under extreme circumstances. Because the videos fit together so nicely, I won't interrupt them with text.











A Mother's Role in Creating Art
In this final video, Karen talks about her very first Bolsas de Mandado panel. She also talks about her mother's bag folding, and enduring influence on her art and life. If you're like me, you'll need a tissue when you watch this piece.



Conclusion
As ever, I am privileged to be able to help document Karen's work. She makes it very easy by articulating her techniques and purposes in a lively and educational way. I look forward to the next opportunity to experience her art and ask the questions I don't normally get to ask an artist when spending time with her/his work. But that will have to wait until she returns from her rejuvenating trip to Nice.

From Karen Guancione Art

Travelogue: Longwood Gardens and Bruce Munro's Light Exhibit

From Longwood Gardens
Waterlillies. 100 6-ft. foam lilies, 100 8-ft. foam lilies, 65,000 recycled CDs. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

Introduction
Earlier in the summer, my friend Jen and I drove down to Kennett Square, PA to visit the lovely (and quite large) Longwood Gardens. Aside from visiting the legendary gardens, we specifically went to see the Bruce Munro exhibit, Light. The works (on display until September 29) use light and color to express the artist's exhilaration felt while visiting the gardens.

The history of the gardens can be traced to the end of the 18th century, when Joshua and Samuel Peirce established an arboretum on their nearly 100 year-old family farm. By 1906, economic concerns put the arboretum in danger of being sold for lumber. Enter our hero, Pierre S. du Pont, a wealthy industrialist and renaissance man who purchased the land just to save the trees.

As you might have surmised, Pierre was a descendant of Eleuthère Irénée du Pont, founder of E. I. du Pont de Nemours and Company (gunpowders). Pierre used his wealth, knowledge, and energy to create the marvelous fountains, conservatories, and gardens found at Longwood today. It's an impressive place, but even more impressive is the fact that Pierre spent more than 30 years designing the garden's elements and overseeing the work, all while reorganizing, and later serving as President of DuPont. He also served as Director of General Motors from 1920-1928.

Jen and I toured nearly all of Longwood Gardens, staying from mid-morning until nightfall to see the changes in the Light installations as well as the water shows. Below are just a sample of the many photos I snapped of our visit. I hope you'll enjoy them and visit Longwood Gardens before the end of September to enjoy Bruce Munro's Light.

From Longwood Gardens
The Italian Water Gardens. Longwood Gardens. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Main Fountain Theater. Longwood Gardens. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Main Fountain Control Panel, Resting Room, Peirce-du Pont House. Longwood Gardens. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Main Fountain Garden. Longwood Gardens. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Outdoor Waterlily Display, West Conservatory Complex. Longwood Gardens. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Outdoor Waterlily Display, West Conservatory Complex. Longwood Gardens. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Outdoor Waterlily Display, West Conservatory Complex. Longwood Gardens. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Water Towers in the Meadow. 17,388 1-liter recyclable bottles, 552 laser-cut wood layers, 42.9 mi (69,000m) bare optic fiber, 69 LED light sources with hand painted color wheels, 23 speakers, 1 audio control box, 1 solid-state music player. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Forest of Light. 20,000 clear glass spheres, 20,000 acrylic rods mounted on stakes,
89.9 mi (140,000 m) bare optic fiber, 80 halogen light sources with hand painted colour wheels. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Forest of Light. 20,000 clear glass spheres, 20,000 acrylic rods mounted on stakes,
89.9 mi (140,000 m) bare optic fiber, 80 halogen light sources with hand painted colour wheels. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Field of Light. 7,000 frosted glass spheres, 7,000 acrylic rods mounted on stakes, 34.8 mi (56,000 m) bare optic fiber, 15 metal halide light sources with hand-painted colour wheels. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Field of Light. 7,000 frosted glass spheres, 7,000 acrylic rods mounted on stakes, 34.8 mi (56,000 m) bare optic fiber, 15 metal halide light sources with hand-painted colour wheels. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Arrow Spring. 16 stainless steel spheres, 16 LED flashlights, over 58 mi (94,000 m) bare optic fiber, 328 ground stakes, four varieties of sage. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

From Longwood Gardens
Arrow Spring. 16 stainless steel spheres, 16 LED flashlights, over 58 mi (94,000 m) bare optic fiber, 328 ground stakes, four varieties of sage. Longwood Gardens. Artwork © Bruce Munro. Photograph © Debra Schiff. All rights reserved.

If I coached the team next season

By Chris Dokish

Just for fun, this would be my ideal lineup next season.

Starting PG- Travon Woodall. I was never one who thought he would be excellent at Pitt, and I still don't, but he is the closest thing to a real point guard they have right now. He needs to shoot less and distribute more, and he needs to get more steals because he is capable of getting two steals a game if he has his mind set on it. But most of all, he needs to be more in control. It's time for him to mature as a player.

Starting SG- Ashton Gibbs. Obviously this is a no brainer. Hopefully he realizes that he won't make it in the NBA and that he's going to live 40 more years after he retires from playing overseas, so he should get in as much education as he can.

Starting SF- J.J. Moore. I have heard straight from the staff's mouths that while Moore is the most talented SF in the program, he was not ready to see the floor much as a freshman. With a year under his belt, hopefully he learns the nuances of being a Panther, especially on the defensive front. If he's not ready, then replace him as a starter with Lamar Patterson.

Starting PF- Khem Birch. This is another no brainer. His length, quickness, shot blocking, and rebounding are lottery pick caliber. True, he has no moves on offense, but neither does Nasir Robinson and he can score. Birch will score the same way, by hustling, put backs, and sheer athleticism. He is by far the most talented player on the team and if he sits behind Robinson then Jamie Dixon will get the criticism he deserves.

Starting C- Dante Taylor. The time has come for Taylor to show that he is a good player. Even though Pitt fans wildly overhyped him (despite many warnings), Taylor can be a good player, and should be a big upgrade over Gary McGhee on the offensive end. He is also a better rebounder than McGhee, and he needs to be aggressive in that department. He needs to play at least adequately on defense, however, or the offensive upgrade will be negated.

Top four off the bench:

Nasir Robinson- No way, no how should he be starting, but that doesn't mean he isn't a huge plus for the team. At the three and the four, Robinson can be a huge spark plug with his hustle and enthusiasm. He will get many minutes and on one of his good days, he can stay in the game and help a lot.

Lamar Patterson- The jack-of-all-trades type that Dixon loves. He can do a little bit of everything, and has great potential as an outside shooter. Must improve on defense, though, and keep his weight down. Will definitely see time at the three, and could even start, but it would be ideal if he could be an effective sub at both the three and the two, especially since there is a huge experience void at the latter.

Talib Zanna- He obviously has the potential at the four to be a good player, but it hasn't come together for him yet. Rebounding is his forte and if he is focused on that aspect of his game, he will get minutes.

J.J. Richardson- I know this will surprise many Panthers fans because most have him transferring, but as far as I know he will be back next season. In fact, if you talk to Pitt coaches, they never fail to mention him when talking about the front line next season. Ideally, Birch and Zanna are effective enough at the four to stay primarily there. Birch can see some minutes at the five, but Richardson can also suck up some minutes down low. He's not great, and at 6'8" he's not tall, but for a few minutes a game he can use his big body to be effective enough.

Others:

Cameron Wright- The most likely on this list to see time, but only because of the need for a SG reserve. If Robinson stays at that four, then Patterson will have to stay at the three. When Woodall sits down, Gibbs will probably have to take over the point, and when Gibbs sits down, somebody else has to take his place. Wright is not ready to make a big impact but he's long and athletic so at least he can provide something.

Isaiah Epps- Ideally he would be the back up PG for the Panthers this season but that may be asking a lot for player who was a huge disappointment for most of last season. If he sticks around, then he should get minutes early in the season to see how well he can do.

Durand Johnson- He was brought in for mainly one reason- he can flat out shoot the three. If he proves in practice that he can translate that skill immediately to this level, then he could see time this year. Otherwise, he is a redshirt candidate.

Malcolm Gilbert- Has little offensive game but is a legit 6'11" kid who can rebound. His best attribute, however, is his shot blocking which is at an NBA all-star level. Ideally, he can redshirt, but his shot blocking is so good that he may have to play. Don't count him out. He could be a factor this season.

John Johnson- Maybe the heir apparent to Woodall at the point but grades are a major issue. Even if he does somehow become eligible, he needs to be coached up a lot. No matter how you look at it, he is a major candidate to prep.

Possible assistant coaching candidates

By Chris Dokish

I've been fortunate enough that when Dave Wannstedt, Todd Graham, Tom Herrion, and Pat Skerry were hired, I had all on my list of potential candidates. The only major Pitt hiring I did not have was Michael Haywood, who I investigated and did not list because I didn't think Pitt would make such a bad hire. Enough said on that one. This time it's a little more difficult because there is no one obvious hire.

The top contenders:

Dave Leitao- Will be 51 next month. Native of Massachusetts. Played for Jim Calhoun at Northeastern, then became an assistant for his former coach at both Northeastern and UConn. Later became the head coach at DePaul and then Virginia. Considered one of the best recruiters in college basketball over the last twenty years and recruited extremely well everywhere he's been, including DePaul where he had one of the top five recruiting classes in the country one season. The downside? Not everybody loves his personality. "Arrogant beyond belief," according to one college basketball insider who prefers to remain anonymous. "Gotta be somebody better. Dixon would regret that one". That may be why he just lost out on the starting job at Fairfield last week, a job that he is more than qualified for. But the fact remains, he was Dixon's first choice before Pat Skerry was hired so you would think he would ask again. Ed Cooley, new head coach at Providence, wants to land Leitao for his first chair, but you would think Pitt would be a better option for him.

Barry Rohrssen- Will be 51 in June. Native of New York City. Recently fired as the head coach of Manhattan after five seasons. "Slice", as everybody in college basketball knows him, was at Pitt from 1999 to 2006, starting as Director of Basketball Operations and ending as the Associate Head Coach. Most prized recruit at Pitt was top 50 prospect Chris Taft, but also landed the likes of Carl Krauser, Ronald Ramon, Keith Benjamin, and Levance Fields. He recruited well at Manhattan, too, but he proved to be overmatched as a head coach. Still, though, many in NYC were upset at his firing because his players graduated and he brought professionalism back to the program that his predecessor, Bobby Gonzalez, sucked away. The downside of hiring him back, however, is that he only recruits the NYC area and the city has been down in talent for a few years. Plus, Brandin Knight is already strong in northern New Jersey and could handle the city, too. At the end of the day, it just may come down to whether or not Dixon wants to go back to a guy he knows or if he wants to get new blood.

Leitao could turn down an offer if made, just like he did last year. Rohrssen probably would not turn down an offer. If the job does not go to either of the above two, then it's because Dixon wanted to go a completely different route. In that case, these are some possibilities:

Jeff Battle- 50 years old. Native of Philadelphia. Currently the top assistant at Wake Forest where he has been for the past ten seasons. Was an assistant at Xavier with Skip Prosser then followed him to Wake Forest. One of the top recruiters and assistant coaches in the country. Was passed over for Dino Gaudio when Prosser suddenly passed away, then was passed over again for current coach Jeff Bzdelik after Gaudio was fired. Bzdelik is currently on the hot seat and Battle may think if he stays around then he will eventually be named the head coach for the Demon Deacons. Was my personal favorite the last time (Skerry was second), but like last time, there may be extenuating circumstances that keeps him from leaving Wake Forest. His wife died of cancer three years ago and Battle didn't want to move his son away to a different place. That son is 17-years old this year. His top notch reputation as one of the best assistants in the country, as well as his ties to Philadelphia, would make him a huge hire.

Dino Gaudio- 54 years old. Native of Ohio. Like Battle, he followed Prosser from Xavier. Has a lot of head coaching experience, with Army, Loyola (MD), and three years at Wake Forest. A great recruiter who brought in the likes of Jeff Teague and Al-Farouq Aminu. He's currently an ESPN analyst and he's in no hurry to get a job. He'll probably wait to see if he can get a head coaching job somewhere but he's definitely worth a phone call. His recruiting skills and vast coaching experience would benefit Dixon greatly.

Sean Kearney- 52 years old. Native of suburban Philadelphia. Longtime right hand man for Mike Brey both at Delaware and Notre Dame, and has been responsible for recruiting and/or developing the likes of Troy Murphy, Ryan Humphrey, Torin Francis, Chris Thomas, and Luke Harangody. Replaced Ralph Willard as head coach of Holy Cross (over Tom Herrion, then at Pitt), but was fired after just one season. While the Crusaders finished 9-22 after being named the Patriot League favorite, many college basketball observers were appalled at the quick firing. Kearney was out of basketball last year, but his great reputation in college basketball, his Philadelphia roots, and the fact that he is a friend of Dixon makes him a viable candidate.

Scott Spinelli- 44 years old. Native of Massachusetts. Current top assistant at Texas A&M under Mark Turgeon. Also was the top assistant at Wichita State, also with Turgeon, and at Nebraska when Steve Pederson was the AD. But that doesn't mean he doesn't have ties to the east. Not only is he from New England, but he also started the program at The Winchendon School in MA, which just happens to be one of the best prep schools in the country for basketball talent. He also was a scout for one year for the Philadelphia 76ers and covered the Big East and northeast high school basketball. He is a well known and highly respected recruiter and assistant who is very close to landing a head coaching job.

Kenya Hunter- 37 years old. Native of Virginia. Former Duquesne guard is currently an assistant at Georgetown where he is quickly developing the reputation as one of the best young recruiters and assistants in the country. Between his first stop at his alma mater and the Hoyas, he was also the Director of Basketball Operations under Herb Sendek at NC State, and an assistant at Xavier, under Sean Miller. His ties to the Washington, DC area would be a great addition.

Matt Langel- 32 years old. Native of southern New Jersey. If Dixon decides that he wants to go for a rising young star instead of a longtime veteran, he may look to this former Penn star. Langel started at his alma mater under Fran Dunphy then followed him to Temple. He showed he was a great recruiter when he went all out to land Owls' star Juan Fernandez all the way in Argentina. With his connections in Philadelphia and by learning the trade from one of the best in the business, his future is extremely bright. He was recently one of the finalists for the Cornell job and being an assistant at a Big East power would be a no brainer for him for his resume. Now he just has to be asked.